Updated
Updated · The New York Times · Sep 4
Ambassador Leah Campos Called Removed 2015 Wiley Embassy Painting a 'Lesbian Picnic'
Updated
Updated · The New York Times · Sep 4

Ambassador Leah Campos Called Removed 2015 Wiley Embassy Painting a 'Lesbian Picnic'

1 articles · Updated · The New York Times · Sep 4

Summary

  • An April radio interview shows Ambassador Leah Campos described Kehinde Wiley’s removed 2015 embassy painting in the Dominican Republic as “a picnic in a park with flowers and some lesbians.”
  • Campos said the work was “total evidence” of Biden-era “indoctrination,” offering a new possible motive for its removal beyond the State Department’s public objections tied to misconduct accusations against Wiley, which he denies.
  • The State Department last week proposed selling the painting, which officials also called “aesthetically terrifying,” without clearly explaining what in the work itself the Trump administration found objectionable.
  • Art experts said Wiley based “Young Artists After Siamesas 1960” on images by two Dominican artists and used four local art students as models; the piece was commissioned under Obama, not Biden.

Insights

Will the unprecedented sale of a publicly funded embassy painting redefine how international cultural diplomacy is practiced?
How might the removal of site-specific cultural artwork impact diplomatic relationships with the host country's local community?
Should an ambassador's personal aesthetic preferences override the historical mission of long-standing international art programs?