Updated
Updated · The New York Times · Aug 20
China's 'The Bull is Coming' Tops 20 Million Yuan as Crude Animation Fuels Cult Hit
Updated
Updated · The New York Times · Aug 20

China's 'The Bull is Coming' Tops 20 Million Yuan as Crude Animation Fuels Cult Hit

3 articles · Updated · The New York Times · Aug 20

Summary

  • More than 20 million yuan ($3 million) has poured into “The Bull is Coming” since its Aug. 5 release, turning a barely promoted children’s film into one of China’s standout box-office performers.
  • Fewer than 300 tickets sold in its first 10 days, but online mockery of its pixelated, “disaster-level” visuals quickly drew younger viewers who embraced it as authentic in an A.I.-saturated era.
  • Xin Yumeng, a 34-year-old first-time director, spent five years making the film with his mother; the coming-of-age story follows a calf named Niu Lai through a dream sequence.
  • Cow-mask screenings, fan-made memes and plush toys have spread the craze beyond theaters, and even Hefei police and former Global Times editor Hu Xijin have joined the phenomenon.

Insights

How did a mocked amateur animation made on second-hand computers accidentally become a multi-million dollar protest against AI perfection?
Does rewarding a disastrously animated movie with millions of dollars signal the end of traditional film quality standards in the viral era?
Will the director's newly announced sequel maintain its profitable crude charm, or will a bigger budget destroy the handmade appeal fans loved?